Andrew Lloyd Webber Quotes

• I said, look, do you think you could bring Gerry through, and they said yeah, absolutely, they thought that. Joel was very keen to cast him. If all my music team were happy, I was happy.

  Andrew Lloyd Webber

• When we finally came to start work on this, the joy was it was only Joel and I, we didn’t have to answer to anybody, and we didn’t have to submit a screen play or anything like that. We just wrote it and then made it.

  Andrew Lloyd Webber

• Well we’d just seen Gerry. I think he wanted somebody who had that authority and was handsome. The thing is, he’s a big hunk isn’t he? All I can say, if you look at his chat line, or the Phantom website, it’s quite worrying. Because the girls really seem to love him.

  Andrew Lloyd Webber

• Well the least favourite question is the one that one’s asked particularly about in Japan is what’s the difference between theatre and cinema and I think, well, that’s about eighty bucks.

  Andrew Lloyd Webber

• We felt we had to know something of his back story. I don’t think people in the cinema would just accept that he’s there. I think we had to learn how he (got there).

  Andrew Lloyd Webber

• Two years ago I hadn’t even thought of the Woman in White, and I was doing a television show and I said I hadn’t found a story and the next day somebody rang me and said have you ever thought of the Woman in White.

  Andrew Lloyd Webber

• The next few years are going to be horrendous in the UK. The last thing we need is a Somali pirate-style raid on the few wealth creators who still dare to navigate Britain’s gale-force waters.

  Andrew Lloyd Webber

• Superstar was made so early in my career I had nothing to do with it at all. The first time I saw it was the opening screening.

  Andrew Lloyd Webber

• Negative things, and they were all deliberate and I’m not going to say who they were but I know who they were and it was in the business, and that’s not a good sign.

  Andrew Lloyd Webber

• It must have been an extraordinary time. I guess the worrying thing about musical theatre to me, is if you look at the London season this year, mine is actually the only one to have come in.

  Andrew Lloyd Webber

• It doesn’t stand up to huge intellectual scrutiny.

  Andrew Lloyd Webber

• In Evita I wasn’t really hugely involved with it. I gave a little bit of help but they needed a bit of technical help on the movie and so some of my music people went in at the end of the movie and helped out with it.

  Andrew Lloyd Webber

• If you know what you want to do, as I always loved musicals, and then to have been lucky enough to be successful with them, I think that’s all you can ask isn’t it? I think I don’t really think too much about it. I am a bit shy socially, yeah, I admit that.

  Andrew Lloyd Webber

• I’ve got to find something and if I find something that I like, I’ll do it. If I don’t, I won’t.

  Andrew Lloyd Webber

• I’m going to take the kids away over Christmas but I don’t, I’ve written 14 musicals now, I don’t want to rush into doing something just for the sake of doing it. I want to do it when I find a story.

  Andrew Lloyd Webber

• I would have gone right ahead but the only thing, the only phenomenon that’s going on now of course, which is different in my experiences, is that you are getting things planted in the Net by people about the Woman in White on the Net. That’s not a nice change.

  Andrew Lloyd Webber

• I think the thing’s that perhaps sad really is that younger people haven’t come in and I think it must have been absolutely fantastic to have worked in the 50’s when you had all of the great Broadway composers and when West Side Story didn’t win the Tony Award.

  Andrew Lloyd Webber

• I think that the wonderful advantage we have in the film of being able to cast a girl as young as Emmy and which we couldn’t do in the theatre of course because no girl of 16 or 17 could sing 8 shows a week, couldn’t sing two.

  Andrew Lloyd Webber

• I think Michael Crawford realised, I think we all realised, once we’d gone the route of casting a very young girl, you can’t really cast a 65 year old man opposite. Slightly different resonance I think. No, we weren’t going to go there. We’d have Jack Nicholson in the lead.

  Andrew Lloyd Webber

• I think back at the time, if it had been 1988, I would have thought Michael and Sarah probably would have been cast but I don’t think, I think it’s much better that the girl is younger and if Sarah would have been 26 or 27 then.

  Andrew Lloyd Webber

Andrew Lloyd Webber (29)

Birth:	22nd March, 1948
Nationality:	British
Profession:	Businessman, Composer, Songwriter, Television Presenter, Theatre director

About

Andrew Lloyd Webber was born in Kensington, London. He is a British composer and impresario of musical theatre. He has composed 13 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass. He has also gained a number of honours, including a knighthood in 1992, followed by a peerage from Queen Elizabeth II for services to Music, seven Tony Awards, three Grammy Awards, an Academy Award, fourteen Ivor Novello Awards, seven Olivier Awards, a Golden Globe Award, and the Kennedy Center Honors in 2006.

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Today's Anniversary - 24th May

Births

• 1914 - Lilli Palmer
• 1928 - William Trevor
• 1955 - Alain Prost
• 1794 - William Whewell
• 1938 - Tommy Chong

Deaths

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• 1543 - Nicolaus Copernicus
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• 1850 - Jane Porter