Leo Ornstein Quotes

Today, with a recording, he can hear the thing enough times until he really gets acquainted with the language, and then he can begin to make an estimate of the intrinsic, aesthetic value of that piece of music.

I think recordings have been a terrific advance because now, when you have a piece of music, particularly something that appears to the listener very complicated, there’s really a push to the world to try to figure out what it was that he was hearing.

There are some people, by the way, that associate a certain amount of visualization with the performance of music. Those are people that really are not centrally concerned only with music, the traditional things.

To the person that deals in visualizations, I suppose there is something rather exciting about a whole set of people – they all going symmetrically, up or down, in a military sort of precision.

Well, no. I believe that it’s not at all impossible that some of the performances that I’ve heard so far by some pianists may be superior to my own playing because those are two totally different acts altogether.

No, I think that a person writes a poem because they have an inner urge of something that they want to express, and I think it’s that inner urge that you want to express when you write a piece of music.