Well, I am not 100 percent sure of the definition of polemic, but it wasn’t meant to convince anybody of anything.
With any work worth its salt, you have to trust the author enough to take its measure. And if you apply too many preconceptions, you are not taking its measure.
Cricket is the greatest game that the wit of man has yet devised.- Sir Pelham Warner
Advertising is selling Twinkies to adults.- Donald R. Vance
The struggle of the male to learn to listen to and respect his own intuitive, inner prompt...- Herb Goldberg
Each generation of the church in each setting has the responsibility of communicating the ...- Francis Schaeffer
Each had defended his own country; the Germans Germany, the Frenchmen France; they had don...- Ernst Toller
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|Birth:||15th February, 1948|
|Profession:||Artist, Cartoonist, Editor, Novelist|
Art Spiegelman is an American cartoonist, editor and comics advocate based in New York City, best known for his graphic novel Maus. His work as coeditor on the comics magazines Arcade and Raw has been influential, and he spent a decade as contributing artist for The New Yorker starting in 1992, where he made several high-profile and sometimes controversial covers. He is married to artist, designer, and editor Françoise Mouly. Spiegelman's work first gained prominence in the underground comix scene in the 1960s. This work was short and experimental, and often included autobiographical elements. Spiegelman is an advocate for greater comics literacy. As editor and as a teacher at the School of Visual Arts in New York City, Spiegelman has promoted greater understanding of comics, and mentored younger cartoonists. It won a special Pulitzer Prize in 1992 and has come to be viewed as a pivotal work in comics, responsible for bringing serious scholarly attention to the medium.
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