The truest expression of a people is in its dances and its music. Bodies never lie.
Theater people are always pining and agonizing because they're afraid that they'll be forgotten. And in America they're quite right. They will be.
Cricket is the greatest game that the wit of man has yet devised.- Sir Pelham Warner
Advertising is selling Twinkies to adults.- Donald R. Vance
The struggle of the male to learn to listen to and respect his own intuitive, inner prompt...- Herb Goldberg
Each generation of the church in each setting has the responsibility of communicating the ...- Francis Schaeffer
Each had defended his own country; the Germans Germany, the Frenchmen France; they had don...- Ernst Toller
Comments on: "Agnes de Mille Quotes: Theater people are always pining and agonizing because they're afraid that they'll be..."
|Birth:||18th September, 1905|
|Death:||7th October, 1993|
Agnes George de Mille was an American dancer and choreographer. Agnes de Mille was born in New York City into a well-connected family of theater professionals. Her father William C. deMille and her uncle Cecil B. DeMille were both Hollywood directors. She was the granddaughter of playwright Henry Churchill de Mille and the economist Henry George. De Mille lacked flexibility and technique, though, and did not have a dancer's body. Classical ballet was the most widely known dance form at this time, and de Mille's apparent lack of ability limited her opportunities. She taught herself from watching film stars on the set with her father in Hollywood; these were more interesting for her to watch than perfectly turned out legs, and she developed strong character work and compelling performances. One of de Mille’s earliest jobs, thanks to her father’s connections, was choreographing the film Cleopatra in 1934, though the dances were later cut from the film. She appeared in The Ragamuffin in 1916, which was her first job. De Mille graduated from UCLA where she was a member of Kappa Alpha Theta sorority, and in 1933 moved to London to study with Dame Marie Rambert, eventually joining Rambert's company, The Ballet Club, later Ballet Rambert, and Antony Tudor's London Ballet.
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