Working moms commonly testify that they feel guilty when they are away from their children and guilty when they are not at their jobs. Devoted fathers certainly miss their children deeply, but it does not seem to be with the same gnawing, primal anxiety that often afflicts women.
Camille Paglia Quotes
The 1990s, after the reign of terror of academic vandalism, will be a decade of restoration: restoration of meaning, value, beauty, pleasure, and emotion to art and restoration of art to its audience.
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| Birth: | 2nd April, 1947 |
| Nationality: | American |
| Profession: | Critic, Professor |
About
Paglia was born in Endicott, New York, the elder daughter of Pasquale and Lydia Anne Paglia. Paglia attended primary school in rural Oxford, New York, where her family lived in a working farmhouse. Paglia entered Harpur College at Binghamton University in 1964. The same year, Paglia's poem "Atrophy" was published in her local newspaper. Paglia attended Yale as a graduate student, and she claims to have been the only open lesbian at Yale Graduate School from 1968 to 1972.
In the fall 1972, Paglia began teaching at Bennington College, which hired her in part thanks to a recommendation from Harold Bloom. Through her study of the classics and the scholarly work of Jane Ellen Harrison, James George Frazer, Erich Neumann and others, Paglia developed a theory of sexual history that contradicted a number of ideas in vogue at the time, hence her criticism of Marija Gimbutas, Carolyn Heilbrun, Kate Millett and others. She laid out her ideas on matriarchy, androgyny, homosexuality, sadomasochism and other topics in her Yale Ph.D. thesis Sexual Personae: The Androgyne in Literature and Art, which she defended in December 1974. In September 1976, she gave a public lecture drawing on that dissertation, in which she discussed Edmund Spenser's Faerie Queene, followed by remarks on Diana Ross, Gracie Allen, Yul Brynner, and Stephane Audran.
Paglia finished Sexual Personae in the early 1980s, but could not get it published. She supported herself with visiting and part-time teaching jobs at Yale, Wesleyan, and other Connecticut colleges. Her paper, "The Apollonian Androgyne and the Faerie Queen", was published in English Literary Renaissance, Winter 1979. In 1984, she joined the faculty of the Philadelphia College of Performing Arts, which merged in 1987 with the Philadelphia College of Art to become the University of the Arts.
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