This is my first wuxia movie and I must consider this before trying to make something with my own.
You must know what you are capable of.
A great many people think they are thinking when they are merely rearranging their prejudi- William James
Don’t sacrifice yourself too much, because if you sacrifice too much there’s nothing e...- Karl Lagerfeld
Write to please just one person. If you open a window and make love to the world, so to sp...- Kurt Vonnegut
I think it's impossible to really understand somebody, what they want, what they believe, ...- Orson Scott Card
It is funny the things that run through your mind when you're sitting in your underpants i...- David Sedaris
|Birth:||14th November, 1951|
|Profession:||Actor, Director, Producer|
Zhang Yimou is a Chinese film director, producer, writer and actor, and former cinematographer. He is counted amongst the Fifth Generation of Chinese filmmakers, having made his directorial debut in 1987 with Red Sorghum.
Zhang Yimou was born in Xi'an, the capital city of Shaanxi province. Zhang's father, a dermatologist, had been an officer in the Nationalist Kuomintang army under Chiang Kai-shek during the Chinese Civil War, and an uncle and an elder brother had followed the Nationalist forces to Taiwan after their 1949 defeat. As a result, Zhang faced difficulties in his early life.
During the Cultural Revolution of the 1960s and 1970s, Zhang left his school studies and went to work, first as a farm labourer, and later at a cotton textile mill in the city of Xianyang. During this time he took up painting and amateur still photography.
Zhang has won numerous awards and recognitions, with Best Foreign Film nominations for Ju Dou in 1990 and Raise the Red Lantern in 1991, Silver Lion and Golden Lion prizes at the Venice Film Festival, Grand Jury Prize at the Cannes Film Festival, and the Golden Bear at the Berlin International Film Festival. In 1993, he was a member of the jury at the 43rd Berlin International Film Festival.
One of Zhang's recurrent themes is the resilience of Chinese people in the face of hardship and adversity, a theme which has been explored in such films as, for example, To Live (1994) and Not One Less (1999). His films are particularly noted for their rich use of colour, as can be seen in some of his early films, like Raise the Red Lantern, and in his wuxia films like Hero and House of Flying Daggers. His most recent film is a historical drama war film called The Flowers of War.
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