And this fear that US models are replacing everything else now spills over from the sphere of culture into our two remaining categories: for this process is clearly, at one level, the result of economic domination – of local cultural industries closed down by American rivals.
Often, these downplay the power of cultural imperialism - in that sense, playing the game of US interests - by reassuring us that the global success of American mass culture is not as bad as all that.
My love is something valuable to me which I ought not to throw away without reflection.- Sigmund Freud
A novel is an impression, not an argument; and there the matter must rest.- Thomas Hardy
The fun of talk is to explore, but much of it and all that is irresponsible should not be ...- Ernest Hemingway
The blind lead the blind; we will come to sea.- Sumanth Bharadwaj
Each coil has the earthquake which created it, as every death has the life that gave birth...- Sorin Cerin
A further point is that, little by little, in the current universe, everything is slowly being named; nor does this have anything to do with the older Aristotelian universals in which the idea of a chair subsumes all its individual manifestations.
If it is, in reality, capitalism that is the motor force behind the destructive forms of globalization, then it must be in their capacity to neutralize or transform this particular mode of exploitation that one can best test these various forms of resistance to the West.
In most of the European countries – France stands out in its resistance to this particular form of American cultural imperialism – the national film industries were forced onto the defensive after the war by such binding agreements.
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